Monday, July 27, 2026

Springs of Amukarr

(Ineia #8)
Written about the hot springs in Amukarr, after Iniea had spent the evening with one of the village families. 

In the darkness waters called to me
Steaming waters, drawn up from the earth
From under earth, where they were heated
Heated hot, then pushed bubbling upward
Quiet murmers at the surface of the waters.

On the surface of the rippling waters
Rippling waters full of starlight
Starlit waters, hot and steaming
Steaming waters, drawn from under earth
From under earth the waters rise to starlight

Draw me underneath the starlit waters
Starlit waters knowing earth and sky
Knowing sky, what has come and what will be
What will be on earth and in darkened waters.
Hide me under, keep your peace, waters still full of starlight.

Wednesday, July 22, 2026

Amukarr--Diary entry (session 13)

After we left the forge we found the road easily enough. We were only a mile or so away from it, so even in the middle of the night we didn't get lost. Every time someone looks at Inayin the way Panethfei did it bothers me. He's been hurt, and it's an ugly wound, but he's not disgusting. And he wouldn't hurt anyone, bloody eyes or no (at least, no one that wasn't evil. He's very good at killing evil things). 


We headed toward the village where the priest was who might be able to help Inayin. Thargash had promised to teach me Treian. I was half a mind to ask Fjalanor instead, but he's been so distracted and hard to talk to lately. Thargash was NOT distracted, and turned out to be a very good teacher. A bit impatient sometimes, but impatience I don't mind. I was determined both to learn the words and also to not let anything Thargash said get under my skin. (The phrases, of course, I put on the back pages of this diary because I need to find them easily for review and it's easier to find them there.)

On the way we noticed a path going off the main road where the trees had started to wither. I looked around, and the footprints (Treian) were about a week old, but the path did seem heavily traveled. My chest sank to see the dying already happening. Normally I would want to follow something like that. I regret last time I didn't. But... What can we do? And Inayn is still hurt.

We made it to the village and were quickly able to find the priest. Fjalanor talked quite a bit back and forth with him. The priest could tell we "weren't from around here" and seemed to particularly notice Thargash. I'm not sure what else was said, Thargash only told me that Fjalanor was trying to wreck history by telling too much, and everyone knows not to do that. I think he must have told about the coming invasion and sacking of the seven hills. I don't know if that was a good idea or not, but if he did I'm a bit relieved. Someone should be told, even though I don't think they'd believe us. The priest seemed more confused than upset, and finally started talking to Fjalanor in very small, slow words (I didn't understand the words, of course, but I could tell!). He started gesturing toward the sky and the earth over and over, so I might be wrong about what Fjalanor was talking about. I reminded Fjalanor to tell him about the withered trees, and also mention that we'd noticed three Treian youths wearing red amber vulture pendants. The priest seemed disapproving of the pendants, but again, neither upset nor surprised. I get this from physical cues because I HAVE TO ASK FOR EVERY SINGLE TRANSLATION. (When I started tugging on Fjalanor's sleeve, Thargash started talking to Tenuala instead and while I could not overhear, the conversation stopped with Tenuala red faced and Thargash looking smug. I doubt he was translating.)

We stayed three days in the village to give time for everyone to recover. I was still exhausted from searching for herbs, and Inayin, of course, needed more time. The first thing I did was find clothes. I was relieved to not seem to need a translator for that, I've been dreading asking either Fjalanor or Thargash for help in that department (very different reasons). Everyone here was so friendly and I now have both a hunting outfit and a nice dress to wear. After the rags I've been in, being clean and looking like a woman is a relief. I burned the Vulture Priests "gift" dress. I'm glad mother never saw me in it. She would have been horrified (well, father too. But he'd have had a good deal less to say than mother, which--believe it or not--is actually worse). There were hot springs and cool springs in the town, so I went swimming often. I love the water. 

I tried talking to everyone, to practice my new words. They were delighted that I was trying to talk to them, and very tolerant of my rough speech. I particularly enjoyed the children. They ran all about the whole time and I tried playing some of their games. My heart wasn't in it, though. I just wanted to take them all up in my arms and flee to the Sothbori and my own dear piney woods. 

 I don't know how to describe how I feel now. The beauty here overwhelms me, fills me. I've never seen anything as unguarded as this. They all just trust us. Freely. Even though we are strangers. I feel like I need to gather it all up and store it away inside me, beauty enough to hold me for the rest of my life. But the more precious a thing is that I gather up, the more it hurts. I can see what's coming. The burning, the death--things they can't imagine now. Things I've seen since I was 5 when Cheykor was razed by the Nalshbori. War is my earliest memory, but not even their old men have seen it. This is so much different than hearing about the Jade hills in songs at the Sacred Well. Yesterday I played hide and go seek with a little girl--knowing that in a few weeks or months she will be hiding for real, and it won't be a strange red headed Sothbori girl catching her up with a hug and tears, but something very different hunting her. Why... 

I have tried to finish that sentence 30 times. I can't finish it. I've been staring at the page too long.

I was able to talk to Thargash--I mean a real conversation. I don't even remember how it started. I've thought a lot about him--for someone who acts like he only loves himself, he's going through an awful lot of trouble for someone. You don't defy time itself for just anyone. (this is daft, but--I thought maybe the woman he loved was being held hostage and we might be used in some way to betray one of the cities. I'm glad I didn't have a chance to mention this to anyone). We were talking and--I don't even remember what I said, exactly, but it was a bit like he took his mask off for a moment. And he isn't a traitor, and he isn't as horrid as he acts, and I won't write down what he said exactly because it's not something I'd tell anyone, but I was half right. Thoranri. 

I.... I think we might be friends now. Imagine that!!

[Added later]
Oh, it was the little girls mother who gave me the dress I'm wearing. Her name is Onmanda. They invited me--a stranger--into their home for dinner yesterday evening. We got along fine without a translator. Onmanda is on the small side for a Treian woman, and I think the dress was hers when she was younger. Somehow it fits me perfectly. Her older daughter showed me how to do my hair in the way Treian maidens wear it. They were lovely and generous hosts. I tried to be an equally cheery and pleasant guest, and kept my mind focused on that. Some happy moments for everyone. It was the gift I could give.
 I went to the springs afterwards. Sometimes--more lately--it's better to be alone. 
Especially at night. 

Sothalkarr

 (Ineia #7)

Similar idea as previous poem, but fewer words and narrower scope. Ineia accepts that Sothalkarr is the one city they will go to. There won't be time to go somewhere else. She hasn’t quite decided what she will do when she gets there, but she’s only got three phrases left to get translated, and so it won’t be this poem.

Sothalkarr The fair, 
carven trees of stone
Adorn her graceful courts where 
cold North wind had blown 

Built above her sisters there 
Sothalkarr can alone 
See the Doom her sisters share 
By Shadow overthrown 

Within your own walls a snare 
Traitors with hearts of stone 
Root them out, Sothalkarr fair,
Else be captive in orkon's lair.

Warning

 Following the Wayateth’s example, and after hearing Panethai's song, Ineia considered learning a poem of some sort in Old Traien, with some jumbled thoughts that maybe if it was BOTH a creation song AND a warning it would do double duty and help Find The Traitors And Warn Everyone Else. Idea was discarded for various reasons, but the poem remains 
(Ineia #6)

Nankenala Maker True
Made seven verdant hills
Where every good thing grew
And every joy fulfills

By his mighty hand
He fashioned them with care
The beauty of the land
Was innocent and fair

But then they were betrayed
Yalethkarr first of all
Of the seven hills of jade
She was the first to fall

Oh Lanenkarr–your gate!!
By treachery is open!
Before it is too late, 
Beware–your friend is foeman!

And other cities fair
Look deep into your heart
Hidden darkness is found there
Root out every part

Kiethlekarr alone is true
No traitors in her midst
She takes the longest to subdue
By Orkon’s deadly fist.

Monday, July 20, 2026

Session 12 recap

 When last we left our heroes... At the maiden Panathfei's forge, in the roofless halls of the old Stone-King forge, the company took stock of themselves. Five days' walking through the living wood had knitted only a little of what the last fight had torn from Inayin; his eyes wept red still, a slow blood-weeping that no rest would mend, and the dark blade at his side was eager. Through Thargash, Inayin asked the maiden whether the thing that fouled her waters was the primordial Serpent itself or one of its brood. She answered that a serpent-thing lay bound in the deep beneath the forge, unable to leave the waters and yet tainting them with its malice, so that whenever she began the rite to wake the spring she could not finish it, and the lost craft of the water-forging stayed shut to her. The ancient wards created to keep it from tainting the forge's upper waters had been damaged, and would have to be repaired in order to cleanse them.

Inayin swore the creature would not see another dawn, for this was not the first such evil the company had come across, nor, he owned, was it like to be his last. Ineia, meanwhile, begged of Thargash a little teaching in the tongue of the Star-folk — Old Treian, which he told her was, after all, her own mother-tongue, for the speech of all the Ambori is but its far-descended child — and he began to teach her a few basic phrases as she tended the living blooms she had lifted from the wood, keeping their cloth damp and setting a pinch of moon-dust to them against their withering.

At last, the party decided to help Panathfei try to re-seal the wards against the lower waters. There was a warding stone of the Stone Kings, broken, that had once sealed the cold waters below; and the company decided they would attempt to repair it. Ineia, Inayin, and Talari went down into the Underspring and found an ancient blue waterstone covered in runes, writings of the Stone Kings themselves, and the very attempt of reading and studying them induced visions in the three companions. Inayin saw a flash of a woman, one-eyed and heavily armed, making her way through a long chamber full of treasures, at the far end of which a dead giant sat enthroned, his long beard overflowing his chest and filling the whole chamber; and after her a man chained and racked with torment in a lightless cell; and last of all ancient misty ruins standing up out of a grey and withered wood. Ineia saw a young man, tall and lordly, in a similar chamber, weeping before bodies he had just interred there. Both Ineia and Inayin managed to snap out of their reverie, but Talari became lost to it, waking in the same chamber now convinced that it was her true life, and that her whole career as an adventurer before it had been but a dream.

After a botched attempt to reassemble the warding-stone completely broke it in half, Ineia and Inayin brought it--and the unconscious Talari--back to the surface. Panathfei was alarmed, and through Thargash she told the party that she could now hear the serpent's voice. It was only a matter of time before something really bad happened. They would have to try to reassemble the ward. That work wanted silver, which takes such a charge better than iron — and so the whole company emptied their purses into the crucible, nearly every coin they carried between them, and Inayin melted their fortune down to mend the ward.

Then Panathfei, via Thargash, told them one more thing would be required: the stone would hold only to a true vow. One of them must bind himself, and all his line after him, to the keeping of the ward — to hold back the folk of the Serpent from the forge-waters forever — and should that vigil ever fail, some dire thing would follow. It was Herek who took the oath upon himself. 

As Herek swore, Panathfei began to sing. Not one of them could construe the words — save their "smiling friend" — and yet the song was so made that in the hearing each of them beheld the making of the world: the first waters of all leaping up upon the holy hill of Orusena, running down to fill every river and stream and sea, and the earth behind them greening, and beasts and men coming forth into the new light. So the vision passed through them in a breath. And while it held them, Thargash and Inayin poured the molten silver into the broken places of the warding stone and joined it whole again; and at the maiden's sudden, urgent word Ineia and Inayin bore the stone back down into the underspring and set it once more in its place, sealing off the cold waters of the deep. 

Talari, in the meantime, lost to another time and another place, had wandered to a sepulchre within the larger tomb, where three figures lay — two whose incorrupt bodies still wept blood from unhealed wounds, and a third long withered to dust — about a long sword set upright in the stone. After speaking with the other person in the chamber -- a tall, heavily scarred woman with one eye and a great Red Fang Longsword slung over her back -- she laid her hand to the hilt and it slid free as though it had waited for her; the blood of the dead shone out with a golden light; and she woke again beside the forge with the wavy-bladed weapon in her hands and a vision fading behind her eyes — a young man, half-starved and half-mad and clad in rags, staggering through the river of shining blood grasping a much more glorious blade in his hand: the Hurorupeim itself. Talari had known none of the faces there, but the sword in her hands was Hurpalb — that ice-pale, half-clear metal of legend, out of which the Blade of Kings itself was forged.

When at last they climbed up again into the night air, the dark voices under the water had fallen silent, and the forge was clean. Panathfei, glad beyond her few words, asked what boon she might grant them for the service done her. And Herek, who had bound his blood to her stone, asked only for some help to keep the charge he had taken up. So the maiden took his sword, and cut from her own dark hair a single lock, and bound it about the hilt, and said that as long as he bore it her blessing would go with him. 

For Inayin's part, he sought to have her loose the silver lock already knotted to his belt, but something was evidently lost in translation and Panathfei, who had not yet tied it and would not for long ages remember tying it, only frowned in bafflement and did not understand. He then asked Thargash to tell the whole story of his father and grandfather, the dark sword, the other water-forge, and his first meeting with Panathfei. Thargash translated perhaps a little too honestly, and Panathfei, realizing that Inayin and his family had consorted with the ancient serpents, politely asked him to leave.

By this point, it was nearly midnight. The forge was saved and the spring run sweet again, and eastward on the road a star-priest waited at Amirukarr who might yet heal Inayin's eyes. Thence the party resolved to go.


Friday, July 3, 2026

Forge Fight (OR Certain Women Are The Worst) 12

We were in a pretty sorry state when we stumbled into the clearing and the ruins of an ancient water forge. The woman we saw there was beautiful. As beautiful as you can imagine. I could tell from Inayin's face that she was the same woman whose lock of hair was tied to his belt. Of course, this version of her was much younger, and her hair was glossy black instead of silver. 

Inayin asked her about the snake she' mentioned, and she told us that it was down in the deeper part of the water forge, but trapped--unable to come up but unable to leave, and it fouled up the waters. That was why she couldn't finish her song. Of course we (Inayin) offered to kill it. I was watching her when he did. A beautiful woman in the woods singing to draw in strange travelers? With a snake infested pool? Who has a (albiet, future) habit of tying locks of hair around unsuspecting men's belts to "engage" herself to them? Fine. We can kill the snake. All the better if its her pet we're killing. I don't care much for her. It doesn't help that I'm filthy, smelly, and my clothing is shredded. 

With the thought about my clothing first on my mind (I'd like to say I had nobler reasons) I turned to Thargash and asked if he'd teach me Treian. I NEED new clothes. What do I do when we get to town? Ask Fjalanor to get it? Would he have any idea how to get a woman's dress? Unlikely. Thargash is the only other one who can speak Old Treian, and I think he might know his way around a woman's dress a little too well. His comments make my ears burn. I would be mortified to ask either one of them for help. Anyway, once I started thinking through the chance to learn Treian I started to have other ideas about what I wanted to learn. I will need to think about this.

The flowers are still alive. I'm so relieved that they aren't dead. I'm using little pinches of my moon dirt. I'd been saving that against... Well, things come up. (Someday Fjalanor is going to do some idiot something, and the moon dirt is my insurance to make sure I can pull him out of it). And it isn't like any of us are home now, so we might all need it. But if only I can keep these two alive! Ever since I left the river I've kept my little white river stone in my pocket. I like to hold it in my hand while I'm walking or thinking and turn it over a bit. I'm going to try my best to keep these flowers alive, but the stone I know I will be able to take home with me.

As the day drew to a close it was time to face the monster. It would seem one of the warding stones set by the Stone Kings when this forge was built had cracked. As Inayin, Talari and I could breathe under water, we were the ones to go inspect. We got to the bottom and found the broken one. When I looked at the stone I saw a vision of a young man--tall and lordly--weeping over the bodies he'd just interred there. I am certain it was a vision of Sanur burying his brothers, Setela and Teythbor. I was able to awake from my vision, as was Inayin, but Talari fell unconscious. We knew that the only way to shift the stone together was knowledge of the lore. I'm not the best, but mother has been quite strict with my lessons and I've been paying close attention to Fjalanor's various commentary lately, so I tried. It went terribly. I didn't just sort of wreck it, I broke the entire stone in half. Water began rushing in and Inayan and I hastily grabbed the stones and Talari and drug everything up top. 

Panathfei was horrified and began cursing (I assume. I don't understand, but I got the gist. Maybe I should add those to my word wishlist. Might come in handy). We knew we needed to forge the stone together. At first we considered our weapons, but no one wanted to be weaponless right now. We know too much about what was about to happen. Then someone suggested our silver. Everyone was excited about that and quickly threw their coins in to be melted. I cried a little inside. My strong garrison. My beautiful apothecary. My new dress. Adventuring doesn't pay nearly as well as I'd hoped--at least not in silver. What little I'd earned over the last few months I added, less a few coins. 100 silver total, with 15 coins remaining in my purse. Maybe I can buy a dress for what is left. Inayin did a brilliant job getting the two sides of the stones together (and kindly has never yet specified who it was that actually broke the stone to begin with). 

We were almost done when Panathfei said the only thing lacking was a vow of constancy. One of us had to vow to protect the forge for our entire lives and the lives of our children. The fixed warding stone would hold as long as the vow held. There was a long silence. We all felt the weight of it. Herek was the one who accepted it. From now until eternity this forge is bound to his constancy and his line. Quickly Inayan and I took the stone down and placed it, healing the breech. 

Panathfei began singing a song of creation about then, and I realized that I'd mistook her. Whatever she becomes in the future, she isn't that yet. This Panathfei is lovely. I guess I need to cross out that poem I wrote about her earlier today.... 

She offered us a boon in thanks for helping her. We agreed that Herek should have the benefit, since he was the one with the courage to make the vow. He asked for a weapon to better protect the forge. She took a strand of her hair (WHAT IS IT WITH THIS WOMAN) and tied it around his blade, and said it would make it blessed or magical or some such. 

Good grief. What if I were to go about just chopping off my hair and tying it to people and things? WHAT EVEN. I dunno. She is fine. A bit daft. The hair thing probably works. But why. I think I might not like her. She's annoying even when she isn't evil. And now three of the five men in our party are taken in by her. She collects them. Like toy soldiers or something. Thargash and Tenuala remain "unenthralled" and I think Thargash might be immune. Tenuala is just lucky.

Inayin asked for her to cut her older version's hair off his belt, but as Thargash translated she began to look horrified and then really noticed Inayin's eyes for the first time. Uncomfortable, she asked us to leave. It was midnight. The least hospitable thing I've seen so far here in this lovely land, but truly, I didn't mind. Her future self misuses Inayin (he doesn't deserve to be bound up like that, he should have a proper, normal-aged wife, not one that spent "quality time" with his grandfather) and her present self is annoying. Maybe the first person I've truly disliked, outside of actually wicked people. She wants us to leave at midnight? After saving her precious forge? 

All the better. 


[Added later] 

Oh, I should have added that when Talari woke up she had a sword made of Hurpalb. It has a wavy edge. I wonder what it's story is? I haven't gotten a good look at it yet, but apparently it was in a stone in her vision and when she touched it it loosed itself. 

Poor Fjalanor. I will find him a sword. I've told him I would twice, but I don't think he knows I mean it. 

I do mean it. 


Thursday, July 2, 2026

The Call

(Iniea #4)

What Iniea was thinking about as she looked across the Cheyth at her home ages before she was born, and grabbed a rock out of the clear running waters. She wrote the poem the following days of travel. 

The place that I call home
Has always called to me
I’ve seen it in many times
Both new and anciently
I was born in the future
But am in antiquity,
Where the world is green and young
Clothed in maiden beauty
My chest is achin’ now
For soon the Nalshbori
Will raid this precious place
Burn every leaf and tree.
My fathers will be killed
Or chained in slavery
The Cheyth, as clear as glass,
Will run polluted to the sea. 
The place that I call home
Has always called to me
Should I stay–I wonder?
Not from curiosity
But because when someat’s broken
No healing can there be
You can at least be present
With the broken quietly.
And at the lands first wounding
What honor would it be
To defend against the ruin,
Set my face defiantly? 
The place that I call home
Has always called to me
As I gaze I wonder
This is a mystery–
Could my life be out of order
So, long before my nativity,
My heart was buried yonder
‘Neath the ancient pine trees?
Is THAT is why this place
Has always called to me? 

There's Your Answer

 (Inea’s #3)

(There is a big X over this one)

Written after meeting Panefai, and then Thargash informing her that Fjalanor was “wooing the maid as Neras wooed Kanle.” 

She later crossed it out, after Panefai sung her creation song, because Ineia realized it wasn't QUITE fair to call Panefai a snake.... Or a tomb.... 


Hair as dark as a ravens wing

Arms as white as snow

Beauty that would make rocks sing

    (If you wondered,

There’s your answer)


A voice that lures men to their doom

Conquers friend and foe

Gladly they embrace a tomb

    (If you wondered,

There’s your answer)


Her companion wears an honest face

Green serpent skin to show

But her true form is masked by grace

    (If you wondered,

There’s your answer)

Springs of Amukarr

(Ineia #8) Written about the hot springs in Amukarr, after Iniea had spent the evening with one of the village families.  In the darkness wa...